- Bishop, S. (2023). Influencer creep: How artists strategically navigate the platformisation of art worlds. New Media & Society, 14614448231206090.
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- Bishop, S., & Kant, T. (2023). Algorithmic autobiographies and fictions: A digital method. The Sociological Review, 00380261221146403.
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- Bishop, S (2022) Influencer Creep Real Life Magazine
- Bishop, S. . (2022). How to Research Online Influencers. SAGE Publications, Ltd..
- Arriagada, A., & Bishop, S. (2021). Between commerciality and authenticity: The imaginary of social media influencers in the platform economy. Communication, Culture and Critique, 14(4), 568-586.
- Bishop, S. (2021). Influencer management tools: Algorithmic cultures, brand safety, and bias. Social media+ society, 7(1), 20563051211003066.
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- Bishop, S (2021) Name of the Game: the Difference between Creator and Influencer Real Life Magazine
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- Bishop, S et. al (2020) Introduction to the special issue: algorithms for her? Feminist claims to technical language
- Bishop, S (2020) “Algorithmic Experts: Selling Algorithmic Lore on YouTube” in Social Media and Society
- Bishop, S (2019) “Managing visibility on YouTube through algorithmic gossip” New Media and Society
- Bishop, S (2018) “Vlogging Parlance: Strategic Talk in Beauty Vlogs” in Microcelebrity Around the Globe
- Bishop, S (2018) “# YouTuberAnxiety: Anxiety as Emotional Labour and Masquerade in Beauty Vlogs” in Youth Mediations and Affective Relations
- Bishop, S (2018) “Anxiety, Panic and YouTube Self Optimisation: Inequalities in the YouTube Algorithm” in Convergence
- Bishop, S (2018) “Fetishisation of the ‘Offline’ in Feminist Media Research”, in Feminist Media Studies
- Bishop, S (2018) “YouTubeanxiety: Affect and Anxiety performance in UK Beauty vlogging” in Affect and Social Media
Sophie Bishop 